What Happens: Unlike with a lot of releases toward late 2017 based in factual material I haven’t been reviewing much of that sort of thing lately, the last one being Jumanji: Welcome to the Jungle-just kidding, besides I didn’t even review it, just made some fleeting comments in a posting soon after Easter. Given the outcome’s the main drama here (plus depictions of rousing community support for the Kelo-led-fight) I’ll leave that to your Internet searches or simply reading my extended comments just below. The events of this film largely focus on conflicting forces with their differing interpretations of government-allowed “eminent domain” seizure of private land for public purposes, as to whether greater revenues from the revised locale justify such seizures (even with adequate compensation) rather than what the Constitution implies about such actions being normally for actual improvement structures such as lakes and libraries. wanted to buy it for their needs, supported by the governor and a local redevelopment agency who attempt to use the lucrative higher tax base as rationale for supposedly helping the poor in this economically-impacted-city (where miseries of various kinds have been brewing ever since Eugene O’Neill recounted his intra-familial-traumas, some based in their summer home called the Monte Christo Cottage which serves as the fictionalized setting for Long Day’s Journey into Night ).
“Executive Summary” (no spoilers) : Based on fact (so nothing important I'd say about this film would actually be a spoiler if you know what happened in 1998-2005 or care to do a little easy historical research), this is about Susette Kelo’s attempt (joined by similarly distressed neighbors) t o keep her working-class-neighborhood-home (but nicely located on the Thames River) in New London, CT when Pfizer Inc.
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